Category Archives: Sir Arthur Conan Doyle

Reading the Canon Online

"You realize this doesn't happen in the books, don't you, Holmes?"

“You realize this doesn’t happen in the books, don’t you, Holmes?”

Books are wonderful things. They can teach us, inspire us, make us happy, sad, or very, very…aggravated. They take us to places we could never travel in real life, either because we lack the means–or because they do not actually exist. Books are a bridge to the countless people who have gone before us–and our own connection to the descendants we can only imagine. Through print, we reach out with ideas, stories, emotions, in hopes that, with the reader as our collaborator, we can create something meaningful.  Yes, books are wonderful things.

But dang, can they be expensive!

Face it, most of us can’t just stop and buy a book just because we need or wish to read it. Landlords frown at that sort of devil-may-care spending. Nor can we count on our local library to have the book we want when we want it.* Fortunately, however, many beneficent folks around the internet realize this, and have digitized hundreds of works no longer bound by copyright. So if you’ve been prevented from reading the original Sherlock Holmes stories and novels, here’s where you can find them online:

Stories:

The Adventures of Sherlock Holmes–http://www.gutenberg.org/files/1661/1661-h/1661-h.htm

The Memoirs of Sherlock Holmes–http://www.gutenberg.org/files/834/834-h/834-h.htm

The Return of Sherlock Holmes–http://www.gutenberg.org/files/108/108-h/1tm08-h.htm

His Last Bow–sherlock-holm.es/stories/pdf/a4/1-sided/lstb.pdf

The Case Book of Sherlock Holmes--http://gutenberg.net.au/ebooks/c00012.html

Novels:

A Study in Scarlet–http://www.gutenberg.org/files/244/244-h/244-h.htm

The Sign of [the] Four–http://www.gutenberg.org/ebooks/2097

The Hound of the Baskervilles–http://www.gutenberg.org/ebooks/2852

The Valley of Fear–http://www.gutenberg.org/ebooks/3289

If you notice, all but one of these links is from Project Gutenberg, and if you notice further, Project Gutenberg has a “Donate” button; if you have the means and feel so inclined, I’m sure they would be appreciative.

Howard Marion Crawford and Ronald Howard

I knew I should have brought a book….

Footnotes:

*Or we may have fines. Lots and lots of fines. Thanks, son.

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Filed under Administrative, Canon Works, Sir Arthur Conan Doyle

Ten Questions with Alistair Duncan

“I know what you’re saying, Holmes. I just don’t think the agony columns are the proper place in which to communicate with my readers.”

Alistair Duncan is well-known in Sherlockian circles for his non-fiction work. Beginning with an analysis of Holmes (and some other characters) both in the canon and on-screen in Eliminate the Impossible (London: MX 2008) continuing through Close to Holmes; The Norwood Author; and An Entirely New Country, Mr. Duncan continues to produce books that examine both Holmes and Arthur Conan Doyle in the context of their environments. Mr. Duncan is also very active in the movement to preserve Undershaw, home of the Doyle family from 1897-1907, and where The Hound of the Baskervilles was written and Holmes’ return from the Great Hiatus was recorded. I asked him a few questions about his books, life as a writer, and his views on Undershaw….

Many writers who are drawn to Sherlock Holmes start writing pastiche. Why did you choose the non-fiction route?

I suppose I like to research and analyse facts and I have quite an analytical mind. This kind of mind lends itself towards non-fiction. For me it is like solving a mystery; you have to gather the facts, decide what is relevant, put it all together and arrive at a conclusion that pleases people. In some ways it is tougher than fiction as you have to work with facts; you cannot invent things to get yourself out of a hole.

Which of your books has been the most fun to write, and why?

The last two have been equally fun to write. The Norwood Author was fun because I knew I was breaking new ground and uncovering information that had not been widely seen (if seen at all). An Entirely New Country was fun for very similar reasons but also because it is part of a much bigger battle – that to save Undershaw.

You’ve said in your blog that you don’t like Sherlock Holmes pastiches with a supernatural theme. Do you have any favorite themes? Pastiche books/stories? Any favorite authors? And why these?

I don’t have any favourite pastiche authors as I don’t read that many. I also don’t have any favourite books for much the same reason. As for themes, I want pastiche stories that stick to Conan Doyle’s world. No fairies, no demons, no “Holmes is a wizard” and no interaction with characters from other stories (particularly those of other authors). In my opinion Holmes’s world is quite clearly defined and you should operate within it. However I accept that other people enjoy works that depart from the canonical world.

Which do you enjoy more, research or writing, and why?

Both; boring and concise answer I know but true.

“Remember that rather impertinent reviewer, Watson? Well, I don’t think he’ll be troubling you anymore.”

In your blog, you’re very open about the joys and tribulations of being a published author. What has surprised you (or not)? What do you enjoy about being published the most? What do you find more frustrating?

Being published undoubtedly gives kudos. Your opinion, if your book is a success, tends to carry more weight than those of other people (even when it should not). However the flip side of the coin is that people tend to be more ready to attack you and sometimes do so in a nasty way. The internet has made this more possible and people can often be vicious as they know they can be anonymous. It is cowardly but one of the things you have to face.

The most frustrating aspect is that if someone does decide to have a go at you it is not wise to respond. I have occasionally slipped and taken someone on but whether you are right or wrong it tends to do more harm than good to you as an author. So having to bite your tongue can be very frustrating.

Have you found blogging and social media to be helpful to you as a writer? Do you prefer one over the other, and why?

They are both helpful and help you to maintain a public presence even during those times when you are not working on anything. Twitter is a personal favourite as it is very easy to reach large numbers of people very quickly. The blog is a place where I can put a lot more information; so the two are used in tandem. I use Twitter to drive people to my blog where I expand on subjects of interest.

 Currently, the fate of Arthur Conan Doyle’s home, Undershaw is the subject of fierce debate. Why do you believe Undershaw is worth preserving?

Where to start? Well it is the only home that is currently vacant and largely as he left it (with the exception of an extension). So much of significance took place during the time that he owned it. I would go into details but then you would not need to buy my book.

Rather than repeat myself I would encourage people to visit my blog:

http://alistaird221b.blogspot.co.uk/p/undershaw-my-view.html

(Blogger’s note: You will, indeed, find plenty of information on Mr. Duncan’s blog, both on his views of the UPT’s mission, and on current UPT efforts. Also, if you’re at all interested in Doyle’s life, or in Undershaw, I do encourage you to buy An Entirely New Country; proceeds from each sale go to fund the UPT’s efforts–plus, it’s just a very interesting book!)

Should the Undershaw Preservation Trust’s efforts be successful, what challenges will they face, and what support will they need?

Well first you must understand that while I support the UPT I am not a member of it and am therefore not privy to its decisions and strategy. The UPT is only trying to overturn the planning consent. If that is successful the UPT has achieved its aim. In the event the house ends up back on the market, the challenge will be to find someone with both the money and the desire to restore it to its former glory.

You’ve recently finished editing Phil Growick’s book, The Secret Journal of Dr. Watson for MX Publishing. Did you enjoy editing? What was it like to edit another writer’s work?

I’ve edited before but never on that scale. The editing had two sides to it. The first was simply to look for spelling, grammar and punctuation errors. The second aspect was to ensure that it was canonically accurate. Fortunately Phil was not overprotective of anything that he had written and he typically followed my advice (although he did not do so without the occasional question – which was good). As a result we have managed to produce something that is already getting some nice praise.

Editing someone else’s work is challenging because you have to remember that it is their book and not yours; if you don’t like the plot, characters or pace, you can advise but nothing more. So it has the potential to be frustrating at times especially if you invest too much of yourself in it.

And of course we want to know about any future projects you have planned? Do you think you’ll ever make a foray into fiction?

I’m toying with the idea of writing a couple of short pastiche stories but you won’t see them for a while yet. I’m far weaker when it comes to fiction and will take my time over it.

Alistair Duncan’s books are available from major online retailers, as well as from the Baker Street Babes’ store, and the MX Publishing website. He is active on Twitter, and regularly updates his blog at http://alistaird221b.blogspot.com/

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Filed under Alistair Duncan, Interview, Sir Arthur Conan Doyle, Undershaw

Duncan, Alistair. An Entirely New Country: Arthur Conan Doyle, Undershaw, and the Resurrection of Sherlock Holmes. London: MX, 2011

The Conan Doyle children, Mary and Kingsley, at Undershaw, c.1900

In late 1893, Sherlock Holmes’ legions of fans received a terrible shock. Unbeknownst to them, their hero had perished at Reichenbach Falls nearly three years previously.  It took time, and the scurrilous insinuations published by Colonel James Moriarty, the Professor’s brother, to persuade his grieving Boswell to write an account of May 4, 1891, but write it he did, effectively blasting the expectations of readers who had become accustomed to following Holmes and Watson on their adventures,  to the point that many actually believed the two men to be real. Still, after a few bad moments or vacant days (for the most obsessed), those readers went back to their normal lives. There were, after all, other detectives.*

While young City men reportedly wore black armbands for someone who never lived, his creator, Arthur Conan Doyle, was reeling from horrible news of his own. That October, his wife Louise (affectionately known to her family as “Touie”) had been diagnosed with tuberculosis. Her case was advanced, and it was terminal. Whatever future they had envisioned for themselves and their young family was now irrevocably changed. There would not be, after all, another Louise.

One common 19th century treatment sought by tubercular patients who could afford it was a move to higher altitude, in the belief that the lower air pressure would allow the heart to work more effectively and therefore help to clear the lungs.** Following this line of thought, Conan Doyle spent the next few years moving his family to Switzerland and Egypt in hopes of improving his wife’s health. While it seemed to bring results, all of the moving and living in hotels was expensive and disruptive to the couple’s children, Mary and Kinglsey. Fortunately, in 1895, a family friend and tuberculosis sufferer, Grant Allen, told Conan Doyle that Hindhead, in Surrey, was elevated enough to have a beneficial climate. Never a man to waste time, the author bought a piece of land and in October of 1897, the family moved into their new home, Undershaw.

Alistair Duncan, who has previously described Conan Doyle’s years in Norwood and traced his (and Holmes’) connections to places in London, now turns his knack for painstaking research to  Undershaw. He combines great events with small to give the reader a detailed picture of the author’s life over the next decade, one of tremendous change for him, both personally and professionally.

One of the most important events in Conan Doyle’s life, and that of his family, occurred while Undershaw was still being built. On March 15th of 1897, he met 23 year-old Jean Leckie. Although still married, he fell hard for the aspiring opera singer and began an intense platonic relationship (a courtship, really) with her that would last throughout his time at Undershaw and would ultimately be the cause of his leaving it.

Professionally, Conan Doyle still found himself tied to the man who had given him a career. Holmes may have been gone, but he was definitely not forgotten. Shortly after the family moved, the Sherlock Holmes play which had consisted solely of rumors became reality. Duncan details the negotiations, pitfalls (including a rewrite necessitated when the only copy was destroyed in a hotel fire), and the play’s ultimate success–provided that the audience could actually hear the actors. It was this project that lead Conan Doyle to write the frustrated exclamation beloved and used by pastiche writers everywhere, “You may marry or murder or do what you like with him!”*** Interestingly enough, he wasn’t quite serious about this; Duncan writes that one issue Conan Doyle particularly wanted to discuss with Gillette when they met in May of 1899 was the actor/writer’s plan to give Holmes a romantic interest. We know he did, of course, but apparently there were boundaries to the character that his creator was not willing to cross.

Never one to hide away in his study, Conan Doyle was quick to get involved in local, national, and international affairs. His concern with British politics led him to write letters, articles, and occasionally run for office. It also led him to serve in the 2nd Boer War as a medical officer. In February 1900 he sailed to South Africa, where he served as Secretary/Registrar for the Langman Military Hospital in Blomfontein. He wasn’t there long, but by the time he left, in July of that year, he had written articles, a decent portion of his definitive book on the war and, on the steam ship home, met a young journalist, Bertram Fletcher Robinson, who would, although he didn’t realize it, be instrumental in bringing Sherlock Holmes up out of that chasm and making him eternal.

I have always admired people who set out to write biography. When you write fiction, you’re in charge. Of course you write what you see, what you know, what your characters tell you to write…but ultimately, your book is yours to make up as you go along. Historians have to deal with facts (or at least they should), but typically they have a multitude of events, people, and sources to work with. Don’t have the material for one angle? Choose another. Do the Boston Massacre witness accounts conflict?✝  That’s all right–you have room, and you can even make that your thesis. A biographer, however, is limited to the facts that exist about one person in particular. If the source material isn’t there, it’s just not. He can’t make up the facts. He can’t make the person into someone he wasn’t. And when the biographer chooses a limited time in his subject’s life to examine, it can be difficult to piece all of the events from that briefer period together into a cohesive whole, particularly when some years are more eventful than others.

In An Entirely New Country, Duncan achieves this admirably, and the result is a valuable resource, or a nice introduction for anyone who has yet to read a complete biography of Arthur Conan Doyle.  We get a full view of Conan Doyle’s Undershaw years, almost as if we were his nosy next-door neighbor. He’s playing golf again–when will that Hindhead Golf Club be successful? Is that a new car? He surely is a speed-demon. Did you read about his first-class wicket against W.G. Grace? The Rifle Club’s shooting at the range over at Undershaw, perhaps you should join. Who’s that with him now–is it that woman? I wonder what Louise thinks about her. Is it true he’s writing about Sherlock Holmes again? This time, however, the nosy neighbors have plenty of photographs, a bibliography, helpful footnotes and supplemental information about the people in Conan Doyle’s life, such as Charles Frohman and George Edalji. Particularly enjoyable are Duncan’s own, often wry, observations. He looks at his subject with a clear eye. When Conan Doyle comments on a fellow medical officer’s weight (he appears to have disliked the man), for example, Duncan points out that in photographs, the gentleman looks to have had the same type build as Conan Doyle himself.  He provides interesting speculations on individuals’ feelings, motives, and events, and is careful to identify them as such.✝✝ What, for instance, did Strand editor Herbert Greenhough Smith think when he realized that Collier’s Norman Hapgood managed to get the stories he’d been angling for for years? Was it printable?  Duncan also doesn’t succumb to the biographer’s temptation to take his subject’s side in every matter. Everyone can acknowledge that it had to have been very difficult to live with the changes tuberculosis forced upon his family life, but not all of Conan Doyle’s coping strategies were beyond reproach and, as Duncan points out, some of his actions caused pain (to which he seemed oblivious) for both his immediate and extended family. Duncan is also perceptive in pointing out that, while Doyle’s marriage to Miss Leckie, after the period of mourning for his wife had been fulfilled, brought him happiness and a new beginning, it did not do the same for his children. Because life, after all, is not a story, and we don’t get an Empty House.

Don’t faint again, Watson, but Undershaw is in danger, and we’ll need more than brandy!

That being said, An Entirely New Country was written with a resurrection in mind. As most of you no doubt know, Undershaw, now the only extant home of Conan Doyle, has fallen into a state of terrible disrepair and is now in danger of being broken up into flats. The Undershaw Preservation Trust has been working tirelessly to prevent this, and to find a way to preserve Undershaw as a single dwelling. For more information on the Trust, its goals, the legal battle it faces against development, and ways in which you can support its efforts, please see http://www.saveundershaw.com/.  Alistair Duncan has also pledged that 50% of the net royalties of An Entirely New Country should go to the efforts to save Undershaw.

In my own efforts to support the UPT and fill your bookshelves, I’ll send a copy of An Entirely New Country to the first two commenters. Already have a copy? You can have your choice of one of Duncan’s other books, or an item from the UPT shop of equivalent value. An Entirely New Country is available on the Baker Street Babes and MX websites, the Save Undershaw shop (on the Trust’s website) and, of course, your usual online booksellers.

Star Rating: 5 out of 5 “This is a wonderful book that gets it right.” 

Notes:

*As we mentioned in the last review, Sherlock Holmes had quite a few imitators, and some predecessors. Fans could get their deduction fixes from Poe’s Dupin, Gaboriau’s Lecoq, Barr’s Eugene Valmont, Grant Allen’s Miss Cayley, and many, many others.

**First promoted by German physician Hermann Brehmer in mid-century. The family’s efforts to prolong Louise’s life were successful; however, she eventually succumbed to the disease on July 4, 1906.

***Honestly, some of us should have that embroidered on a pillow and displayed prominently in our sitting rooms.

✝Ohhhh, they do. To an insane degree.

✝✝One thing he does not speculate on is some kind of murder conspiracy or any ill-will between Conan Doyle and Bertram Fletcher Robinson. Duncan’s evidence that the men remained on good terms throughout their friendship is conclusive.

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Filed under Alistair Duncan, Bertram Fletcher Robinson, Boer War, Doyle Family, Five-star reviews, Holmes in Theatre, MX Publishing, Non-fiction, Sir Arthur Conan Doyle, Spiritualism, The Great War, Undershaw